学校代码*****学号************分类号I01密级公开
硕士学位论文
学位申请人戴嘉琳
指导教师王洁教授
粽子学院名称文学与新闻学院
学科专业中国语言文学
二〇一八年六月五日
On Harold Bloom’s Literary View of
Romanticism
Candidate Dai Jialin
Supervisor Prof.Wang Jiequn
College College of Literature and Journalism
中华人民共和国监察部Program Chinese Language and Literature
Specialization Comparative Literature and World Literature
Degree Master of Arts
University Xiangtan University
Date June2018
摘要
哈罗德·布鲁姆，美国当代最具影响力的文学批评家之一。其文学观复杂而独具特，其中浪漫主义在其文学观中占据重要位置。他站在传统审美的立场，认为文学的本质是主体的想象，在当代庞杂的学术界中坚守浪漫主义传统，在“一切都被解构了”的文学研究环境中重建了一条浪漫主义文学之路。尽管他中后期的理论偏离了浪漫主义视角，20世纪70年代研究解构主义诗学，20世纪80年代研究宗教，20世纪90年代研究西方经典，在众多批评视角中不断漂移，不断刷新自己的理论，但是我们从他的中后期理论著作中时常看到浪漫主义的影子，浪漫主义是他的文学观中隐含的不变因素。 布鲁姆早年研究浪漫主义，在他的文学观中贯穿着浪漫主义，体现在创作主体、创作方法和价值追求三个方面。创作主体中对情感、意志和精神的重视，提倡隐喻、想象、对抗、审美陌生化的创作方法，追求罗曼司、创造力、美学的价值，从各个方面体现了布鲁姆浪漫主义文学观。布鲁姆浪漫主义文学观存在的原因，离不开布鲁姆独特的人生体验，浪漫主义诗人、艾布拉姆斯、弗莱的文学思想的影响，以及布鲁姆对新批评、后现代文论的反思。在对布鲁姆浪漫主义文学观的反思中，我们看到布鲁姆对浪漫主义骑士精神的发掘，对浪漫主义审美价值和主体价值的坚守和开拓，让浪漫主义在新时代仍然占据一席之地，让强调主体、强调审美的文学经典永不过时。在布鲁姆的价值追寻的基础上，我们又可以从中挖掘到浪漫主义对人的肯定，对自然和真理的永恒追求。布鲁姆浪漫主义文学观和解构主义文学观共存，也让我们重新认识两者的关系。然而布鲁姆浪漫主义文学观中也有局限，他个性 有着无限的伤感，盲目的自大，让浪漫主义变得乌托邦化、神秘化；他的浪漫主义文学观带有浓厚的主观彩，对文学的外部研究持有全盘否定的态度，这些都值得我们反思。
浪漫主义文学观是贯穿布鲁姆一生的底和追求，在其一生的宏大而复杂的文学观中，浪漫主义文学观无比重要。探讨布鲁姆浪漫主义文学观，有助于梳理布鲁姆复杂的文学观念体系，把握西方文学理论发展脉络和趋势，并提供了一个新的视角来看待布鲁姆中后期的对抗修正理论、经典文学理论，从而更好地理解布鲁姆的批评特质和文学观念。
关键词：哈罗德·布鲁姆；文学观；浪漫主义
Abstract
Harold Bloom is one of the most influential literary critics in contemporary America.His literary view is complex and unique,and romanticism occupies an important position in his literary view.Standing in the traditional aesthetic position, he believes that the essence of literature is the imagination of the subject.He sticks to the romanticism tradition in the modern complex academic circles,and reconstructs a romantic literature in the literary research environment of"everything is deconstructed".Although his late theory deviated from the romantic perspective,he studied deconstructive poetics in1970s,studied religion in1980s,and studied western classics in1990s,consta
ntly drifting and constantly refreshing his own theory in many critical perspectives,but we often see Romanticism from his late theoretical works.Romanticism is the invariable factors implied in his literary outlook.诺基亚5140
Bloom studied romanticism in his early years.In his view of literature, romanticism is permeated with three aspects:creation subject,creation method and value pursuit.The creative subject pays attention to emotion,will and spirit, advocates the creative methods of metaphor,imagination,confrontation and aesthetic defamiliarization,and seeks the value of Luo Mansi,creativity and aesthetics.It embodies Bloom's romantic literary view from various aspects.The reasons for the existence of Bloom's romantic literary view can not be separated from Bloom's unique life experience,the influence of romantic poets,Abrams and Frye's literary thoughts, and Bloom's reflection on the new criticism and postmodern literary theory.In the reflection of Bloom's romantic literary view,we have seen Bloom's exploration of the romantic chivalry,the persevering and opening up of the aesthetic value and subject main value of romanticism.Let romanticism still occupied a place in the new era.Let the literary classics that emphasize the subject and aesthetics will never be out of date. On the basis of Bloom's pursuit of value,we can also dig out the affirmation of romanticism and the eternal pursuit of nature and truth.The coexistence of Bloom's romantic literary view and deconstructive literary conce
东北吉林小伟CHINESEpt also enables us to re understand the relationship between them.However,there are also limitations in Bloom's romantic literary view.His personality has unlimited sentimentality, blindness and arrogance,so that Romanticism becomes utopian and mystifying;his
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