硕士学位论文
论文题目歌剧《黑桃皇后》格尔曼唱段的情感探究作者姓名李甘 指导教师王玉玲副教授杨九华教授
奥尼尔
学科专业音乐学
所在学院音乐艺术学院
提交日期2009年4月10号
独创性声明
本人声明所呈交的论文是我个人在导师指导下进行的研究工作及取得的研究成果。尽我所知，除了文中特别加以标注和致谢的地方外，论文中不包括其他人已经发表或撰写过的研究成果。对本研究做过贡献的老师和同学均己在论文中作了明确的说明并表示了谢意。 谢文广中科院签名：李甘
导师签名：王玉玲
日期：2009年6月
关于论文使用授权说明
本人完全了解杭州师范大学有关保留、使用学位论文的规定，即：学校有权保留送交论文的复印件，允许论文被查阅和借阅；学校可以公布论文的全部或部分内容，可以采用影印、缩印或其他手段保存论文。 日期：2006年6月
中文摘要
柴可夫斯基晚年深刻的悲剧情结集中体现在歌剧《黑桃皇后》中，这部作品同时也反映了19世纪鲜明的时代特征。剧中围绕“三张纸牌”这一悲剧根源的出现，使男主人公格尔曼抉择于爱情与金钱之间，由此形成的一系列情感变化是笔者探究的重要线索。他的心理情感的演变过程，通过剧中的唱段逐一反映出来。如格尔曼的唱段《我并不知道她的姓名》中所体现出的是作曲家对美好爱情的向往，而在《请原谅我》《生活是什么》《公爵，请原谅我》等唱段中体现的则是在物欲横流的社会中人性、爱情被逐渐摧残的事实。这种唱段之间情感的对比手法在揭示社会现实的同时，突显了作曲家矛盾的内心世界。
笔者以格尔曼的心理变化过程中所对应唱段的分析作为切入点，一方面通过梳理格尔曼唱段的心理线索和情感的表达，将唱段的本体和作品背后的人文寓意相结合，出格尔曼这个悲剧人物产生的根源所在；另一方面通过研究格尔曼唱段的情感分析，学会挖掘作品人物情感的表达，对演绎剧中其余角提供情感基点。
本文分为绪论、正文和结论三大部分。在绪论部分，论述了本文的研究目的、意义与现状，阐述了研究本论题的缘由和价值。正文共分为四章。第一章，是对歌剧剧情上的梳理和总结，深入挖掘出本论
题关于人物情感的产生变化的源头；并以此为出发点探视作品背后深刻的人文寓意；第二章，是笔者结合剧情与音乐本体，梳理《黑桃皇后》中格尔曼的内心情感的演变过程：希望—渴望—欲望—幻灭，探视作曲家在刻画人物性格，塑造人物形象方面深厚的功力；第三章，是围绕着歌剧《黑桃皇后》格尔曼的唱段中，体现关于爱与“生存”和爱与“死亡”之间联系的具体论述的同时，探视作曲家柴可夫斯基内心的复杂丰富的情感世界；第四章，着重在声乐演唱的部分对格尔曼唱段进行深入的研究，并且结合前三章格尔曼唱段的情感分析，真正做到“以情带声，以声传情，声情并茂。
关键字：歌剧柴可夫斯基《黑桃皇后》唱段情感
Abstract
The old age of Peter Llich Tchaikovsky whose deep tragedy complex has embodied in opera "the queen of spades " all together , this work has reflected distinct features of the times of 19 centuries at the same time also. Surround "three playing cards " in drama this one tragedy origin turn up, making hero German choose in a series of emotion change taking form from this between love and money, is the important clue that the author probes into. His mentality emotion evolution process, aria in passing drama reports out one by one. If German's aria "I do not know her full name " what middle embodies out is composer yearning for that to fine amatory. but, being embodying in aria suc
选煤论坛
h as "forgive me " "what life is" "duke please , “forgive me " is the society middle human nature , love flowing over in material desire fact quilt being destroyed gradually. Between this aria the emotion contrast gimmick announce to real at the same time of society, dash forward having displayed the contradictious self's inner world of composer.
German author of the psychological changes to the process corresponding to the analysis of aria as an entry point, on the one hand, German aria combing through the psychological clues and emotional expression, the aria of the body and works meaning behind the combination of the humanities to identify cell thalmann this tragic figure generated by the root; German aria on the other hand, by studying the emotional analysis, Institute of Mining Works figures emotional expression, on the interpretation of the play the rest of the role of providing emotional basis points.
This article is divided into Preface, body and conclusions of the majority of three. In the preface of this article discusses the research purpose, meaning and the status quo, set out to study the topic of the origins and values. The body is divided into four chapters. The first chapter is a sort of operatic drama and summed up, in-depth excavated about this topic figures emotional changes of the source. And use it as a starting point to visit the work behind the profound meaning of the humanities. Chapter II, are combined with drama and music writer ontology, carding "Queen of Spad
es" in German inner emotional evolution: I hope - desire - the desire - disillusionment, visiting composer at portraying characters and shape the character image of the deep skill. Chapter III, are centered on the operas "Queen of Spades," the aria in German, reflecting about love and the "survival" and the love and the "death" on the links between the specific at the same time, to visit the complex inner composer Tchaikovsky rich emotional world. The fourth chapter, focusing on vocal music concert at the German part of the aria to conduct in-depth research. And combining the first three chapters analyze the emotional aria German order to be really "love with the sound to the sound Regards, extremely rich.
Keywords: Tchaikovsky opera "Queen of Spades" emotional aria
目录
中国医药指南
绪论 (7)
第一章格尔曼唱段的情感源 (12)
一、情感源一，格尔曼与丽莎的爱情 (13)
二、情感源二，格尔曼与“三张纸牌”的关系 (15)
三、小结 (17)
第二章格尔曼唱段的情感线 (19)
一、希望 (20)
二、渴望 (25)
三、欲望 (29)
四、幻灭 (32)
第三章格尔曼唱段的情感论 (36)
吃菜养心一、爱与“生存” (37)
二、爱与“死亡” (40)
三、小结 (44)
第四章格尔曼唱段的“声”与“情” (46)
一炮三检
一、“声”“情”并茂 (47)
二、“唱”“作”俱佳 (53)
三、小结 (57)
结语 (58)
豫公网安备41160202000603
站长QQ:729038198
关于我们
投诉建议