外国“中国椅”相较于中国古典圈椅的内在文化缺失作者：靳剑桥来源：《数码设计》2018年第05期 摘要：本文介绍了中国圈椅的发展历程并对圈椅各部分的文化内涵进行了剖析。随后将中国古典的圈椅与国外“中国椅”进行对比，得出外国设计师们的椅凳设计并没有掌握中国圈椅的“精神”所在。古有百家争鸣，将道家的“天人合一”与“在事物两极中寻求恰到好处的中正，而无过、无不及”的儒家思想注入到中华的血脉之中，至今影响着生活的各个方面。本文提出了国外设计师们虽然复刻了中国圈椅，但并没有掌握椅子本身所蕴含的真正灵魂，以及其基于国人文化传承的含义。
关键词：中国古典圈椅；外国现代椅；中国传统文化
中图分类号：TS666.2 文献标识码：A 文章编号：1672-9129（2018）05-0239-01
Foreign "Chinese Chair" Compared to the Inherent Culture of Chinese Classical Chairs
JIN Jianqiao*
（College of Arts， Jilin University， Jilin Changchun， 130012， China）
Abstract： This article introduces the history of the development of the Chinese circle chair and analyzes the cultural connotation of the various parts of the circle chair. After comparing the Chinese classical chair with the foreign "Chinese chair"，人体工程学椅子 it was concluded that the chair design of the foreign designers did not grasp the "spirit" of the Chinese chair. In ancient times， there was a hundred schools of thought contending， injecting the Taoist “harmony between man and nature” with the “Confucianism that seeks just right in the two poles of things， but no more， nothing more” into the veins of Chinese culture， and has thus far influenced all aspects of life. This article proposes that although foreign designers have re-engraved the Chinese chair， they have not grasped the real soul contained in the chair itself and its meaning based on the cultural heritage of the Chinese people.
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