托福听力TPO3原文 Lecture 2-智课教育旗下智课教育

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托福听力TPO3原文 Lecture 2-智课教育旗下智课教育以下是小编为大家整理的托福听力TPO3原文中Lecture 2的文本内容，希望大家能够认真阅读，不懂的地方可以参考翻译，相信会有所收获。下面就让小编来为大家介绍一下托福听力TPO3原文中Lecture 2的文本内容吧，大家要好好把握，这些都是非常有价值的材料，同时，大家也可以登录智课教育论坛进行TPO练习辅导，希望能够给准备托福听力的同学带来帮助。听力文本：TPO 3 Lecture 2Film historyNarratorListen to part of a lecture in a film history sorOkay, we’ve been discussing films in the 1920s and 30s,and how back then film categories, as we know them today, hadnot yet been established. We said that by today’s standards,many of the films of the 20s and 30s would be consideredhybrids, that is, a mixture of styles that wouldn’t exactly fit intoany of today’s categories. And in that context, today we aregoing to talk about a film-maker who began making very uniquefilms in the late 1920s. He was French, and his name was JeanPainlevé.Jean Painlevé was born in 1902. He made his first film in1928. Now in a way, Painlevé’s films conform to norms of the20s and 30s, that is, they don’t fit very neatly into thecategories we use to classify films today. That said, even by thestandards of the 20s and 30s, Painlevé’s films were a uniquehybrid of styles. He had a special way of fusing, or some peoplemight say, confusing, science and fiction. His films begin withfacts, but then they become more and more fictional. They

gradually add more and more fictional elements. In fact, Painlevéwas known for saying that science is vé was a pioneer in underwater film-making, and a lotof his short films focused on the aquatic animal world. He likedto show small underwater creatures, displaying what seemed likefamiliar human characteristics – what we think of as unique tohumans. He might take a clip of a mollusk going up and down inthe water and set it to music. You know, to make it look as if themollusk were dancing to the music like a human being – that sortof thing. But then he suddenly changed the image or narration toremind us how different the animals are, how unlike confused his audience in the way he portrayed theanimals he filmed, mixing up our notions of the categorieshuman and animal. The films make us a little uncomfortable attimes because we are uncertain about what we are seeing. Itgives him films an uncanny feature: the familiar made unfamiliar,the normal made suspicious. He liked twists, he liked the fact, one of his favorite sea animals was the seahorse becausewith seahorses, it’s the male that carries the eggs, and hethought that was great. His first and most celebrated underwaterfilm is about the , you have a question?Student 1But underwater film-making wasn’t that unusual, was it? Imean, weren’t there other people making movies underwater?ProfessorWell, actually, it was pretty rare at that time. I mean, we aretalking the early 1930s t 1But what about Jacques Cousteau? Was he like an innovator,you know, with underwater photography too?Professor