Impression of “Invisible Man”
The narrator begins telling his story with the claim that he is an
“invisible man.” His invisibility, he says, is not a physical condition—he
is not literally invisible—but is rather the result of the refusal of
others to see him. He says that because of his invisibility, he has
been hiding from the world, living underground and stealing
electricity from the Monopolated Light & Power Company. He burns
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light bulbs simultaneously and listens to Louis Armstrong’s
“(What Did I Do to Be So) Black and Blue” on a phonograph. He
says that he has gone underground in order to write the story
of his life and invisibility.
As a young man, in the late 1920s or early 1930s, the narrator
lived in the South. Because he is a gifted public speaker, he is
invited to give a speech to a group of important white men in
his town. The men reward him with a briefcase containing a
scholarship to a prestigious black college, but only after humiliating
him by forcing him to fight in a “battle royal” in which he is pitted
against other young black men, all blindfolded, in a boxing ring.
After the battle royal, the white men force the youths to scramble
over an electrified rug in order to snatch at fake gold coins. Three
years later, the narrator is a student at the college. He is asked
to drive a wealthy white trustee of the college, Mr. Norton, around
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the campus. Norton talks incessantly about his daughter, then shows
an undue interest in the narrative of Jim Trueblood, a poor,
uneducated black man who impregnated his own daughter. After
hearing this story, Norton needs a drink, and the narrator takes
him to the Golden Day, a saloon and brothel that normally serves
black men. A fight breaks out among a group of mentally imbalanced
black veterans at the bar, and Norton passes out during the chaos.
He is tended by one of the veterans, who claims to be a doctor
and who taunts both Norton and the narrator for their blindness
regarding race relations.
The narrator says that he has stayed underground ever since; the
end of his story is also the beginning. He states that he finally
has realized that he must honor his individual complexity and remain
true to his own identity without sacrificing his responsibility to
the community. He says that he finally feels ready to emerge from
underground.
Themes
As the narrator of
Invisible Man
struggles to arrive at a conception
of his own identity, he finds his efforts complicated by the fact
that he is a black man living in a racist American society. Throughout
the novel, the narrator finds himself passing through a series of
communities, from the Liberty Paints plant to the Brotherhood,
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with each microcosm endorsing a different idea of how blacks should
behave in society. As the narrator attempts to define himself through
the values and expectations imposed on him, he finds that, in each
case, the prescribed role limits his complexity as an individual and
forces him to play an inauthentic part.
Upon arriving in New York, the narrator enters the world of the
Liberty Paints plant, which achieves financial success by subverting
blackness in the service of a brighter white. There, the narrator
finds himself involved in a process in which white depends heavily
on black—both in terms of the mixing of the paint tones and in
terms of the racial makeup of the workforce. Yet the factory denies
this dependence in the final presentation of its product, and the
narrator, as a black man, ends up stifled. Later, when the narrator
joins the Brotherhood, he believes that he can fight for racial equality
by working within the ideology of the organization, but he then
finds that the Brotherhood seeks to use him as a token black man
in its abstract project.
Ultimately, the narrator realizes that the racial prejudice of others
causes them to see him only as they want to see him, and their
limitations of vision in turn place limitations on his ability to act.
He concludes that he is invisible, in the sense that the world is
filled with blind people who cannot or will not see his real nature.
Correspondingly, he remains unable to act according to his own
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personality and becomes literally unable to be himself. Although
the narrator initially embraces his invisibility in an attempt to
throw off the limiting nature of stereotype, in the end he finds
this tactic too passive. He determines to emerge from his
underground “hibernation,” to make his own contributions to society
as a complex individual. He will attempt to exert his power on
the world outside of society’s system of prescribed roles. By making
proactive contributions to society, he will force others to
acknowledge him, to acknowledge the existence of beliefs and
behaviors outside of their prejudiced expectations.
Over the course of the novel, the narrator realizes that the
complexity of his inner self is limited not only by people’s racism
but also by their more general ideologies. He finds that the ideologies
advanced by institutions prove too simplistic and one-dimensional
to serve something as complex and multidimensional as human
identity. The novel contains many examples of ideology, from the
tamer, ingratiating ideology of Booker T. Washington subscribed to
at the narrator’s college to the more violent, separatist ideology
voiced by Ras the Exhorter. But the text makes its point most
strongly in its discussion of the Brotherhood. Among the Brotherhood,
Because he has decided that the world is full of blind men and
sleepwalkers who cannot see him for what he is, the narrator
describes himself as an “invisible man.” The motif of invisibility
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